Original 1960s Grateful Dead Band Studebaker 1949 Truck owned by Owsley Stanley!

The Owsley Stanley - 1966 Original Grateful Dead "The Dred" Truck 1949 Studebaker 1 Ton "R" series Truck. It is very rare in todays collecting world that a music celebrity-owned. iconic and culturally important automobile just shows up after 45 years. especially one that represents a frozen moment in time that references the the nostalgic Summer of Love of 1966. the early Grateful Dead rock band. Owsley. LSD. Rock n Roll music and Psychedelic 1960's automotive Art Cars. and all of this is being offered on the 50th Annaversary of the Grateful Dead first gig in 1965!With major celebrations of the Dead and it's fans is happening this year. with the Martin Scorsese documentary and the long awaited re-uniting of the band for a run of shows. Here is an interesting article on the subject. http://www. marinij. com/marinnews/ci_26885611/lib-at-large-grateful-dead-documentary-set-bandsWith all this Grateful Dead celebration going on this year. you can imagine what the commercial ownership of this historic vehicle can bring to the right collector willing to loan this vehicle for exhibitions. marketing or display it in a public space. Perhaps a holy grail of any rock & roll / car collection or certainly the largest piece of Grateful Dead memorabilia is in one culturally historic automobile. known as "The Dred. " This piece of automotive and Rock n Roll culture assumes a high degree of historic reference. relevance and romance. not found in most vintage collector vehicles of any price. To put this vehicle in context. it seems comparable in counter-culture stature only to iconic 1960s Social Art vehicles such as Janis Joplin's 1965 Porsche. John Lennon's painted 60s Rolls Royce and of course. Ken Kesey's 60s Merry Pranksters bus. also known as "Further. " The Grateful Dead's recently discovered first band truck from 1966 is an uber important collector vehicle from the Mid Century era. It is an automotive representation of a historical time. complete with the key players of the counterculture revolution. Originally purchased by Owsley Stanley in 1966 to move The Grateful Dead's band equipment. Owsley (known as the father of LSD) was also The Dead's first manager and original sound-man. This infamous automobile was Owsley developed. along with the drug LSD and the notorious Wall-of-Sound audio equipment for The Dead. The Studebaker truck became the first of The Grateful Dead's early "Caravan of Six" band vehicles. which included The Dead's original Sweet Magnolia tour bus. Dead Heads may also remember the lyric from the song "Truckin: . what a long. strange trip it's been. and fondly link it to "The Dred. " Along with recently published information. Owsley himself has stated that this was his red 1949 one-ton Studebaker truck and wass officially known in the Bay Area and in Dead circles as "The Dred" or the "Dreded Dormammu. " Named by Owsley after a Marvel Comic book character. and documented in Rolling Stone Magazine. this truck was used by him and The Dead to move their audio gear to local gigs. As Owsley has stated. it was also used to move The Dead's audio gear to L. A. in 1966 for their first L. A. recording dates. as well as for an appearance at the Acid Tests held in the suburb of Watts. Before Owsley's imprisonment in 1970 on charges of manufacturing LSD. the truck was given by Owsley to an artist friend in Berkeley. His friend applied the current. original psychedelic style paint job partially over the Owsley commissioned red paint job. The car was then entered into the first Cosmic Car Show in Berkeley. California in 1970. The paint job retains the original early art car paint design. which visually identifies it as an original artifact of the rolling revolution of the 1960s Summer of Love generation. Stored for decades. it has remained in the possession of Owsley's friend from 1970 until 2012. It was then discovered hidden in a barn in non-running but complete condition and in a wonderfully preserved visual state. Fully documented by the previous owners. nbsp; including Owsley Stanley (aka "Bear"). this iconic truck and it's multiple original connections to mid-century cultural history present an extremely rare opportunity for important vehicle ownership. Here is a link to a 1980's article on Owsley. that describes the truck in detail. http://chanceofrain. com/wp-content/uploads/2011/03/Owsley-Me%C2%A0. htmA summary of complete provenance is available to serious bidders. documenting the direct legal ownership for the last 50 years. from 1965 to today. Please email me for any additional information. With major celebrations of the Dead and it's fans is happening this year. with the Martin Scorsese documentary and the long awaited re-uniting of the band for a run of shows. Here is an interesting article on the subject. http://www. marinij. com/marinnews/ci_26885611/lib-at-large-grateful-dead-documentary-set-bandsWith all this Grateful Dead celebration going on this year. you can imagine what the commercial ownership of this historic vehicle can bring to the right collector willing to loan this vehicle for exhibitions. marketing or display it in a public space. Bio Info:In September 1965. Stanley became the primary LSD supplier to Ken Kesey and the Merry Pranksters. By this time. nbsp;Sandoz LSD was hard to come by. and "Owsley Acid" had become the new standard. He was featured (most prominently his freak-out at the Muir Beach Acid Test in November 1965) in The Electric Kool-Aid Acid Test. a book detailing the history of Kesey and the Merry Pranksters by Tom Wolfe. Stanley attended the Watts Acid Test on February 12. 1966. with his new apprentice Tim Scully. and provided the LSD. Stanley also provided LSD to the Beatles during filming of Magical Mystery Tour. Involvement with the Grateful DeadStanley met the members of the Grateful Dead during 1965. 11] financing them and working with them as their first soundman. [12] Along with his close friend Bob Thomas. he designed the Lightning Bolt Skull Logo. 13] often referred to by fans as "Steal Your Face". "Stealie" or SYF (after the name of the 1976 Grateful Dead album featuring only the lightning bolt skull on the cover. although the symbol predates the namesake album by eight years). The 13-point lightning bolt was derived from a stencil Stanley created to spray-paint on the Grateful Dead's equipment boxes (he wanted an easily identifiable mark to help the crew find the Dead's equipment in the jumble of multiple bands' identical black equipment boxes at festivals). The lightning bolt design came to him after seeing a similar design on a roadside advertisement: "One day in the rain. I looked out the side and saw a sign along the freeway which was a circle with a white bar across it. The top of the circle was orange. and the bottom blue. I couldn't read the name of the firm. and so was just looking at the shape. A thought occurred to me: if the orange were red and the bar across were a lightning bolt cutting across at an angle. then we would have a very nice. unique and highly identifiable mark to put on the equipment. "[13]Stanley suggested to Thomas that the words "Grateful Dead" might be drawn beneath the red. white and blue circled bolt in such a way that it looked like a skull. Thomas returned with the now familiar Grateful Dead icon. having discarded the hidden-word concept. The lightning-adorned skull logo made its first appearance on the 1973 release. nbsp;History of the Grateful Dead. Volume 1: Bear's Choice. an album put together by Stanley as his tribute to his dear friend. the recently deceased Grateful Dead co-founder Ron "Pigpen" McKernan. from recordings Stanley had made in 1970. The iconic "Dancing Bears" also first appeared on the reverse cover of this album. created by Thomas. During his time as the sound engineer for the Grateful Dead. Stanley started what became the long-term practice of recording the Dead while they rehearsed and performed. His initial motivation for creating what he dubs his "sonic journal" was to improve his ability to mix the sound. but the fortuitous result was an extensive trove of recordings from the heyday of the San Francisco concert/dance scene in the mid-sixties. Focusing on quality and clarity of sound. he favored simplicity in his miking. and his tapes are widely touted as unrivaled live recordings. In addition to his large archive of Dead performances. Stanley made numerous live recordings of other leading 1960s and 1970s artists appearing in San Francisco. including Quicksilver Messenger Service. nbsp;Jefferson Airplane. early Jefferson Starship. nbsp;Old and in the Way. nbsp;Janis Joplin. nbsp;Big Brother and the Holding Company. nbsp;Taj Mahal. nbsp;Santana. nbsp;Miles Davis. nbsp;the Flying Burrito Brothers. nbsp;Jimi Hendrix. nbsp;Johnny Cash. nbsp;Blue Cheer (a band that took its name from the nickname of Stanley's LSD)[5] and many others. While many Stanley recordings have been released. many more remain unissued. A summary of complete provenance is available to serious bidders. documenting the direct legal ownership for the last 50 years. from 1965 to today. Please email me for any additional information. Jerry Garcia. Deadheads. Gearheads. san francisco. rock posters. fillmore. winterland. avalon. skull and roses. aight Ashbury. Acid. lsd. acid trip. drugs. hippies. Phil Lesh. mickey hart. bob weir. collector car. antique car. barnfind. rat rod. resto rod. hot rod. garage find. On Jan-11-15 at 11:59:28 PST. seller added the following information:to answer a few recent questions. the truck appears to be all original with the correct factory interior including the steering wheel and gauge cluster. original red painted 17 inch wheels. door latch is broken. as described in the recent Owsley publication. Owsley and Me. the running gear is complete and it could. of course. be put in running condition. does not run at the present. it has been parked for well over a decade. however. it does roll. door glass on drivers side is plastic. truck bed has rust thru in spots. other rust spots on body. original red color that Owsley used. and as described in the recent Owsley publication. Owsley and Me and also in the Sept 25th 1982 Rolling Stone Magazine- Owsley issue. nbsp;is still visible as the red base color for the rattle-can spray paint job applied in 1969/1970 by William Clark. FREE BONUS! great tool for fundraising or advertising. it comes with the website and the domain name: www. gratefuldeadtruck. com Also included are several videos completely documenting the past 50 year ownership and the Owsley - Grateful Dead connections.